A friend on Facebook started a watch party today for the first all female space walk from the International Space Station. I wouldn't have realised it was happening otherwise, but she gave me the chance to see it happening live, which was absolutely brilliant!
Women astronauts have been doing space walks for 35 years, but this was the first one where both astronauts were women. Only this March, an all woman space walk was planned, but they found that they didn't have enough space suits of the right size - an unintended consequence of designing for the average man. They tend not to have enough smaller sizes. Mary Robinette Kowal has been eloquent on this sort of design problem.
But, today was the day when Christina Koch and Jessica Meir floated out of the airlock together. Christina Koch is an electrical engineer, and Jessica Meir is a marine biologist - she was interviewed on 'Houston, We Have a Podcast' before she went into space, which was a fascinating insight into her life and career, and how she finally achieved her dream of becoming an astronaut.
They were replacing a battery unit, and once they get into position they have to be tethered to the space station, and all the tools have to be tethered, too. There are rails all over the space station that they use to pull themselves around.
The most fascinating thing to me was that they showed what the astronauts could see via a helmet cam. This really is the closest I will ever come to being in space! There were also good views of the space station itself and, behind it, the Earth in startlingly bright blue and white.
Down on earth, the commentator was also talking to another astronaut about what the space walkers were experiencing, and how they trained - there's an entire replica space station in a pool that they practice on. They can't remove the gravity, but they can have neutral buoyancy by practicing in the water.
Showing posts with label space. Show all posts
Showing posts with label space. Show all posts
Friday, 18 October 2019
Saturday, 24 August 2019
Friday at WorldCon - Apollo at 50, Kate Elliot and Sharp Storytelling
On Friday, I wore my Captain Marvel costume.
The first panel I wanted to go to was the Apollo at 50. I didn't know who the male panellists were, but the female panellists were Dr Jeanette Epps, a real NASA astronaut, and Mary Robinette Kowal, who wrote The Calculating Stars, about the Lady Astronaut, and whose research about the early Space Race is exceptionally good.
There was a little trouble with getting the mics to work, and at one point only Dr Epps and Mary Robinette had working mics, which led to a comment about the people who were traditionally silenced in the history of the space race being the only ones who could speak on the panel! While the tech people were sorting things out, the ladies talked about the problems of peeing and poo-ing in space, and Jeanette Epps confirmed that astronauts are trained to use a camera while poo-ing to make sure they are aiming in the right place so that stuff doesn't float away in the zero gravity.
I was sitting next to a Danish engineer who had worked internationally, including in the Netherlands - he gleefully said that he had a handful of languages - and once the discussion got technical he was quietly making comments to me agreeing with the panellists.
They weren't just talking about Apollo, but what came after, and Mary Robinette Kowal made the point that anyone under the age of 19 has lived in a world where there have been people living in space for their entire lives, for months at a time in the International Space Station.
They also talked about SkyLab, and there was some disagreement about that. One panellist said that, once they had built it and demonstrated it worked, the idea was to bring it down in the Pacific and go on to the next stage of getting to the stars. Another panellist said this had never been the case, but they hadn't thought much beyond getting it up there - once it was up there they had to think about useful science they could do.
The queuing had been a bit chaotic on Thursday, but was much improved with white tape marking out the queues for different rooms, and some energetic volunteers marshalling the queues, on the Friday. There was a particular German volunteer who was exceptionally good at it. They also started to count the number of people in the queues, so they could close the line when the room hit capacity. For one panel I was that last member of the queue who would be able to get in, and I spent a good ten minutes stopping more people from joining the queue, because they wouldn't be able to get in, and they may as well go off now to find another panel that wasn't full yet.
So I came out of the Apollo panel to find that the panel on Dr Who Historical stories was already full - and I went for coffee, followed by a stroll round the dealers' room. A little boy mistook me for Wonder Woman and asked where my Lasso of Truth was, so I told him I was Captain Marvel because I was wearing trousers and Wonder Woman wears a skirt. He knew who Captain Marvel was, so he wasn't too disappointed.
One of the authors I wanted to see while I was at the Con was Kate Elliot, who was doing a reading at 12 noon. She read some passages from her forthcoming "Alexander the Great in Space" novel, which was very enjoyable.
The reading was only 20 minutes long, so I had plenty of time to get into the queue for the next panel I really wanted to see. Peter Morwood was on a panel called Sharp Storytelling, which was about the film sword fighting choreographer Bob Anderson. Peter Morwood knows a lot about sword fighting on screen, and the rest of the panel included Olympic class fencers and sabre fighters, including one chap who is a life member of the Trinity College sabre Club because he was the coach when the University won an important inter-varsity competition. So the panel were experts on how it's really done, with a variety of styles of weapon, critiquing the screen clichés that are how the general public thinks it's done - that great scene in many films, for instance, where the blades clash, and slide down until the fighters are hilt to hilt, at which point they can snarl witticisms at each other before they disengage. One of the women on the panel pointed out that this was fine if both fighters were a similar height - for a smaller woman such as herself, it was important to back out of such a move very quickly!
It was also mentioned that, in sabre fighting, it's very common to set your eyebrows on fire behind the fencing mask!
Bob Anderson was one of the people who played Darth Vader on screen, and there was some discussion of the different intentions dramatically of screen sword fights. "Vader wasn't fighting Luke - he was auditioning Luke!" Peter Morwood said. He also preferred the work of another film choreographer, William Hobbs - a great example of his work is the film The Duellists, and there was quite a discussion comparing the two - William Hobbs tended to be a bit more down and dirty in his fighting scenes, and that, of course had clichés of its own, like turning your basket hilted broadsword round to clout the opponent with the hilt!
Terry Pratchett was also mentioned, writing every film sword fight cliché into one of his books - "Good old Terry - he pulled its leg until it limped!"
And they finished with a discussion of Liam Neeson as Rob Roy, fighting Archie Cunningham, a character "with a sadistic streak so wide you could land a 747 on it". They had been talking earlier about the witty comments that usually pepper sword fights, as in The Princess Bride, and noted that in this film the comments only came at the beginning of the fight.
"Nae quarter will be asked...."
"...or given."
The first panel I wanted to go to was the Apollo at 50. I didn't know who the male panellists were, but the female panellists were Dr Jeanette Epps, a real NASA astronaut, and Mary Robinette Kowal, who wrote The Calculating Stars, about the Lady Astronaut, and whose research about the early Space Race is exceptionally good.
There was a little trouble with getting the mics to work, and at one point only Dr Epps and Mary Robinette had working mics, which led to a comment about the people who were traditionally silenced in the history of the space race being the only ones who could speak on the panel! While the tech people were sorting things out, the ladies talked about the problems of peeing and poo-ing in space, and Jeanette Epps confirmed that astronauts are trained to use a camera while poo-ing to make sure they are aiming in the right place so that stuff doesn't float away in the zero gravity.
I was sitting next to a Danish engineer who had worked internationally, including in the Netherlands - he gleefully said that he had a handful of languages - and once the discussion got technical he was quietly making comments to me agreeing with the panellists.
They weren't just talking about Apollo, but what came after, and Mary Robinette Kowal made the point that anyone under the age of 19 has lived in a world where there have been people living in space for their entire lives, for months at a time in the International Space Station.
They also talked about SkyLab, and there was some disagreement about that. One panellist said that, once they had built it and demonstrated it worked, the idea was to bring it down in the Pacific and go on to the next stage of getting to the stars. Another panellist said this had never been the case, but they hadn't thought much beyond getting it up there - once it was up there they had to think about useful science they could do.
The queuing had been a bit chaotic on Thursday, but was much improved with white tape marking out the queues for different rooms, and some energetic volunteers marshalling the queues, on the Friday. There was a particular German volunteer who was exceptionally good at it. They also started to count the number of people in the queues, so they could close the line when the room hit capacity. For one panel I was that last member of the queue who would be able to get in, and I spent a good ten minutes stopping more people from joining the queue, because they wouldn't be able to get in, and they may as well go off now to find another panel that wasn't full yet.
So I came out of the Apollo panel to find that the panel on Dr Who Historical stories was already full - and I went for coffee, followed by a stroll round the dealers' room. A little boy mistook me for Wonder Woman and asked where my Lasso of Truth was, so I told him I was Captain Marvel because I was wearing trousers and Wonder Woman wears a skirt. He knew who Captain Marvel was, so he wasn't too disappointed.
One of the authors I wanted to see while I was at the Con was Kate Elliot, who was doing a reading at 12 noon. She read some passages from her forthcoming "Alexander the Great in Space" novel, which was very enjoyable.
The reading was only 20 minutes long, so I had plenty of time to get into the queue for the next panel I really wanted to see. Peter Morwood was on a panel called Sharp Storytelling, which was about the film sword fighting choreographer Bob Anderson. Peter Morwood knows a lot about sword fighting on screen, and the rest of the panel included Olympic class fencers and sabre fighters, including one chap who is a life member of the Trinity College sabre Club because he was the coach when the University won an important inter-varsity competition. So the panel were experts on how it's really done, with a variety of styles of weapon, critiquing the screen clichés that are how the general public thinks it's done - that great scene in many films, for instance, where the blades clash, and slide down until the fighters are hilt to hilt, at which point they can snarl witticisms at each other before they disengage. One of the women on the panel pointed out that this was fine if both fighters were a similar height - for a smaller woman such as herself, it was important to back out of such a move very quickly!
It was also mentioned that, in sabre fighting, it's very common to set your eyebrows on fire behind the fencing mask!
Bob Anderson was one of the people who played Darth Vader on screen, and there was some discussion of the different intentions dramatically of screen sword fights. "Vader wasn't fighting Luke - he was auditioning Luke!" Peter Morwood said. He also preferred the work of another film choreographer, William Hobbs - a great example of his work is the film The Duellists, and there was quite a discussion comparing the two - William Hobbs tended to be a bit more down and dirty in his fighting scenes, and that, of course had clichés of its own, like turning your basket hilted broadsword round to clout the opponent with the hilt!
Terry Pratchett was also mentioned, writing every film sword fight cliché into one of his books - "Good old Terry - he pulled its leg until it limped!"
And they finished with a discussion of Liam Neeson as Rob Roy, fighting Archie Cunningham, a character "with a sadistic streak so wide you could land a 747 on it". They had been talking earlier about the witty comments that usually pepper sword fights, as in The Princess Bride, and noted that in this film the comments only came at the beginning of the fight.
"Nae quarter will be asked...."
"...or given."
Saturday, 8 July 2017
Black Women in Science - Mary Jackson, NASA engineer
Mary Jackson was the engineer featured in the film Hidden Figures. She became the first black female engineer in NASA in 1958, encouraged by Kazimierz Czarnecki, who she worked for at the Supersonic Pressure Tunnel. She co-authored several scientific papers with Czarnecki over the years she worked with him.
In the 1970s, she helped the children at the science club in Hampton to build their own wind tunnel, to get them interested in science and show them that there were black scientists out there. She started off her working life as a teacher in 1942. Away from her work, she was a Girl Scout troop leader for thirty years.
She rose through the ranks at NASA to the most senior position available in the engineering department over her 34 year career there, and then agreed to accept a demotion in order to work as an administrator in the Equal Opportunity Specialist field, where she worked to assist talented women to gain promotions and achieve the recognition they deserved.
She retired in 1985 and died in 2005.
Saturday, 20 May 2017
Black Women in Science - Annie Easley
Annie Easley was a computer scientist, mathematician and rocket scientist. She worked for NASA at the Lewis Research Centre, where she was one of the first African-American computer scientists, and was part of the team which developed software for the Centaur rocket stage.
She went to Xavier University New Orleans, where she majored in pharmacy. At that time, in Alabama, in order for a black person to vote, they had to pass a difficult literacy test and pay a poll tax (this was 1954). According to Wikipedia, the person giving the tests saw that she had gone to Xavier University, and waived the test in her case, just charging her two dollars. Later, she helped other people prepare for the literacy test, which was only abolished in 1965.
Unable to continue her pharmacy studies when she married and moved to Cleveland, Ohio (the university there had recently stopped its pharmacy program), she heard that the National Advisory Committee for Aeronautics, NACA - the predecessor to NASA - was looking for "computers" and applied for a job. In 1955, a computer was a person who did the maths manually. She was one of only four African-Americans in a staff of 2,500. She spent 34 years working for them, on many different projects. Later at NASA, she also worked as an Equal Employment Opportunity counselor, where she educated supervisors about workplace discrimination on not just race and gender, but age as well.
She retired in 1989. She was also a founder member, and eventually president, of the NASA Lewis Ski Club. She learned to ski when she was 46.
She died in 2011.
Friday, 31 March 2017
Women in Science - Katherine Goble Johnson
I've just been to see Hidden Figures, the film about Katherine Goble, Dorothy Vaughan and Mary Jackson, who all did outstanding work for NASA in the early days of space exploration.
Katherine Goble was the "computer" who calculated the trajectories of rockets. She worked on the early missions of Alan Shepherd and John Glenn, and on the Apollo 11 mission, right up to space shuttle flights in the 1980s. She's still alive at the age of 98, and has said of the film Hidden Figures: "It was well-done. The three leading ladies did an excellent job portraying us."
Along the way, she was one of the first African-Americans to attend graduate school at West Virginia University, and the first African-American woman to do so. The film points out the many difficulties of living in a segregated society - it wasn't easy for any of them, and they had to be extraordinarily determined to do what they wanted to do.
She had three daughters, Constance, Joylette and Katherine, and after her first husband died of a brain tumour, she married James Johnson - and they've been together ever since. They still live in Hampton, Virginia, near the NASA Langley Memorial Aeronautical Laboratory where she did her work.
On May 5, 2016, a new 40,000-square-foot building was named Katherine G. Johnson Computational Research Facility and formally dedicated at the agency’s Langley Research Center in Hampton, Virginia, and Katherine Johnson was there as guest of honour. It was the 55th anniversary of Alan Shepherd's flight, for which she had provided crucial calculations.
And here she is recieving the Presidential Medal of Freedom from President Obama:
Friday, 9 December 2016
John Glenn Has Died
This is what a hero looks like!
He was the third American in space, and the first to orbit the Earth, in the Friendship 7, in 1962.
At the age of 95, he was the last surviving member of that first group of astronauts, known as the Mercury 7.
He was also a pilot during the Second World War and the Korean War, earning six Distinguished Flying Crosses as well as other awards, going on to become a top test pilot.
And he was a friend of the Kennedy family, and a US Senator for Ohio for 24 years, as a Democrat.
When he retired from politics, he went back into space, at the age of 77, on the shuttle Discovery, as part of experiments on aging in space, making him the oldest human who has ever gone into space.
And he was married to his childhood sweetheart for 73 years. He married Anna in 1943, just after he joined the Marine Corps. She survives him.
Saturday, 21 March 2015
Eclipse
We got something over 80% of an eclipse here - the day dimmed and the shadows darkened, and it seemed stiller than normal. I went out into the back garden, but I hadn't got it together to have any equipment to view the actual eclipse as it happened.
Many people were out taking photos, though, including this lucky shot from a school in Ireland (the photographer's teacher confirms that this wasn't photoshopped - the rook really did fly across at just the right moment!).
Many people were out taking photos, though, including this lucky shot from a school in Ireland (the photographer's teacher confirms that this wasn't photoshopped - the rook really did fly across at just the right moment!).
Tuesday, 17 February 2015
Mars - The First Hundred
This is very exciting - the first hundred people have been chosen from more than 200,000 applicants, who will be training over the next ten years to go to Mars.
By co-incidence, I've been reading a book of essays about Kim Stanley Robinson recently - Kim Stanley Robinson Maps the Unimaginable - in which various scholars discuss his Mars trilogy in some depth (but oddly, without once mentioning the word Demimonde, which is the half underground colony within a colony where some of the alternative economic ideas are worked out). That's Red Mars, Green Mars and Blue Mars, with an associated book of short stories called The Martians. In these books, the first Mars mission sends one hundred colonists - the First Hundred - who play a huge role in the way Mars is shaped over the next two hundred or so years. In KSR's future, the team was led by the Americans and the Russians (having been written towards the end of the Cold War), with other nationalities like Hiroko, the Japanese food specialist who becomes a mystic who leads a breakaway group - and a stowaway known as Coyote, after the Native American trickster god.
The Guardian has a list of the "top ten" who were chosen. They come from all over the world, including a Japanese lady who wants to open the first sushi bar on Mars! They are physicists and engineers and astronomers, a specialist in sustainable food systems and software developers. Five of them come from the UK, and fifty men and fifty women were chosen. Unlike Kim Stanley Robinson's First Hundred, though, who all went on the same flight, four astronauts will be sent at a time until there are 40 people living on Mars. Once there, they'll never be able to come back.
[Edited to add: On a second look at the news, it looks as if they might not make it off the ground, but at least they're trying!}
By co-incidence, I've been reading a book of essays about Kim Stanley Robinson recently - Kim Stanley Robinson Maps the Unimaginable - in which various scholars discuss his Mars trilogy in some depth (but oddly, without once mentioning the word Demimonde, which is the half underground colony within a colony where some of the alternative economic ideas are worked out). That's Red Mars, Green Mars and Blue Mars, with an associated book of short stories called The Martians. In these books, the first Mars mission sends one hundred colonists - the First Hundred - who play a huge role in the way Mars is shaped over the next two hundred or so years. In KSR's future, the team was led by the Americans and the Russians (having been written towards the end of the Cold War), with other nationalities like Hiroko, the Japanese food specialist who becomes a mystic who leads a breakaway group - and a stowaway known as Coyote, after the Native American trickster god.
The Guardian has a list of the "top ten" who were chosen. They come from all over the world, including a Japanese lady who wants to open the first sushi bar on Mars! They are physicists and engineers and astronomers, a specialist in sustainable food systems and software developers. Five of them come from the UK, and fifty men and fifty women were chosen. Unlike Kim Stanley Robinson's First Hundred, though, who all went on the same flight, four astronauts will be sent at a time until there are 40 people living on Mars. Once there, they'll never be able to come back.
[Edited to add: On a second look at the news, it looks as if they might not make it off the ground, but at least they're trying!}
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