Friday 6 September 2019

WorldCon on Monday 2 - Islands, Folk and Filk, and Closing Ceremony

When I went to FantasyCon last year, I really enjoyed the live podcast by Breaking the Glass Slipper.
In Dublin, they were doing it again, on the subject of islands, and it was a wide ranging and fascinating discussion (available on their website).
One of the panel, Vida Cruz, said she came from the Philippines, which is made up of something like 7,000 islands, so she might possibly know something about the subject! Most of the panel thought of islands as places of exile or isolation, which she said was a very mainland way of looking at things! To her, water was a bridge, not a separator.
The discussion about using islands as places to do things you'd never get away with in a mainland setting was fascinating, too, for instance The Island of Dr Moreau, or Lord of the Flies. And now I have to track down Tunnel in the Sky by Robert Heinlein, which was apparently written as an answer to Lord of the Flies, with the characters co-operating rather than descending into barbarism.
Vida Cruz also talked about the history of the Philippines, and how the Spanish invaders destroyed the indigenous culture in which women, and men who presented as women, were leaders of tribes, and storytellers were important. This led on to the panel wondering why white men, who wrote most of the classic texts featuring islands, were afraid of them. Was it because islands could be seen as places of feminine power, ruled by the tides and the moon?
Other islands mentioned were Earthsea, the Narnian islands of Voyage of the Dawn Treader, the Odyssey, and Robinson Crusoe's island.

It was time for more music after that, from Irish folk singer Daoiri Farrell. He commented between songs that, when he left school he had become an apprentice electrician, and he had helped to install the lights that were presently blinding him on stage! The only song I already knew was The Galway Shawl, and he did a variety of comic and serious songs, including The Mickey Dam, about Irish labourers working on a dam in Scotland - which just goes to show that the UK has always needed workers from other countries.

Then there was a panel about the influence of Irish folk music on filk, which was quite good fun, and rapidly broadened out into all sorts of musical influences, including Swedish influence in the case of the works of Poul Anderson. They also suggested places to find filk online - I have already warned Bob, who runs our local acoustic session, that my new Five Year Mission is to seek out new filk, and boldly sing songs no-one else has ever heard of!
So, there's the Filkcast podcast, and Spotify, and Bandcamp, and Xenofilk, which all have interesting stuff.

And so to the Closing Ceremony. There weren't as many people around by now, so wristbands weren't necessary to get in - but even so it was a nice surprise to end up sitting next to a lady I'd sat next to on a previous evening! Eoin Colfer was Master of Ceremonies, and the Guests of Honour appeared on stage with drinks in their hands.
James Bacon appeared on stage wearing a suit printed to look like R2-D2, and presented George RR Martin and his wife Parris with a special award. Other members of the Con Staff also presented him with a picture of himself on stage for the Opening Ceremony (when he'd worn a kilt) in the colours of the Irish flag - and he went round to shake the hands of all of them who were on stage.
And then it was time for the hand over to the next WorldCon committee - which will be in Wellington, New Zealand, complete with a tourism film extolling the delights of the area, and messages from the chap who runs WETA and the Prime Minister of New Zealand! George RR Martin will be Toastmaster.

I picked up the last copy of the Con newsletter, The Salmon of Knowledge - which had become The Trout of Doubt for its last issue, and staggered off to the very last filk circle in the Second Stage room, as the Dead Dog party got started in Martin's Bar. I was so tired by this time that I could hardly keep my eyes open, let alone remember the words to any songs, but the duet of penny whistle and collapsible didgeridoo playing When I Had Maggie in the Wood was particularly memorable!

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