Saturday, 7 September 2019

Impressions of WorldCon

We all got really, really good at queuing!
There was a brilliant young man marshalling the queues on the Wicklow floor - his name was Toji and I think he was German.
And I always met interesting people to chat to in the queues. After all, if you're queuing for the same panel, at the same event, you're bound to have something in common.
I also saw Convention Centre staff with little carpet sweepers everywhere. Was this for crumbs, or huon particles from passing time travellers?

I saw a lot more Starfleet uniforms than I was expecting, original Star Trek or Next Gen (I don't think I noticed any from other series). Cosplayers do seem to be in the minority at WorldCons, but there was a high standard. I saw a few of the people who later went in for the Masquerade wandering the halls - the red and white striped Victorian bustle dress looked fantastic! So did Gimli, and the two girls dressed as Vikings who were at their first WorldCon. There was a girl dressed as a witch, with a dark red velvet skirt which had Elvish script around the hem, who was asking people if they could read Elvish to tell her what it said! (I wonder if anyone at the Tolkein stall in the dealers' room knew?)

A lot of people wore t-shirts - I saw a lot of Helsinki WorldCon's Ursa, and a fair few LonCon, and even some Mancunicon, the EasterCon I also had a t-shirt of.

There was music everywhere - I never got to see the Helsinki choir, but I did renew my interest in filk, and the Philharmonic was absolutely brilliant.

The Con organisers were also putting a lot of emphasis on art, with their special award at the Hugos which went to Charles Vess, and special guests like Afua Richardson and Jim Fitzpatrick.

They also tried to make the Con as accessible as possible - though there were some selfish people who used the elevators when they didn't need to, making it more difficult for the mobility scooter users, and one lady said that people had actually tried to climb over her to get out of one of the panel rooms!
The captioning service on the big screen in the auditorium was a bit hit and miss, (there was laughter when "dogmatic" became "dog magicians", for instance), but they did try, and the scripted stuff came out fine.
I liked the idea of the pronoun stickers on the badges, too, and the notices up in the toilets saying leave people to pee in peace.

The Luas between Spencer Dock and The Point was like an extension of the Con, as most people riding on it during the day were wearing Con badges.


They were also, of course, focussing very much on Irish programme events wherever possible, and I really enjoyed the panels on Irish folklore and the Morrigan, and I loved all the stuff about Irish astronomy. A few people on the DublinCon Facebook page have talked about enjoying the panel on Flann O'Brien, too.
I'm sure I noticed that they wanted to encourage Irish Travellers to attend the Con, and there were certainly leaflets at one of the tables to the side of the dealers' room about Travellers, and challenging the myths about them. For a time, when I lived in London, I lived opposite the lane leading to a Traveller camp, while I worked in the local police station, and that experience showed me that they were perfectly fine as neighbours, and co-operated with the police who had a good working relationship with them locally. So I was pleased to see the myths about them being challenged.
It was a great pity that the Irish government didn't grant any visas to Nigerian fans who wanted to attend the convention.

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