Recently on Twitter, @archivetvmus71 (Archive TV musings) posted a couple of clips from the 1960s series Adam Adamant Lives! which were amusing enough to give me a desire to watch an entire episode.
The DVDs of all the episodes that still survive are eye-wateringly expensive, but I still have a video machine, and I was able to pick up a video of two episodes for under a fiver.
As it turns out, I got the first two episodes of the series, A Vintage Year For Scoundrels and Death Has a Thousand Faces.
The first episode gives Adam Adamant's backstory - how he was captured by an arch-villain in 1902, frozen in a block of ice, and revived in 1966, where he is found by Georgina Jones, who can explain the strange new world of the 1960s to him. He, in turn, can help her against the villainous woman running a protection racket threatening the disco where Georgina works.
There's an amusing scene where Adam has been allowed to stay the night in Georgina's flat, and she admits to other men having stayed overnight, so he assumes that she is a prostitute, and he wishes to save her from her fallen state. But really, Tony Williamson's script could have been better (but he was also the script editor, so had overall responsibility for the quality of the scripts) - the woman Adam loves in 1902, Louise, really should have had more lines, especially when he was declaring his undying love for her, for instance.
Also involved were Sydney Newman and producer Verity Lambert, who had also been involved in the creation of Doctor Who. The concept of an Edwardian gentleman taking a satirical look at the Swinging Sixties was a good one but - well, there's a reason the Avengers was more popular and lasted better, and I think it's in the writing, despite the occasional witty scene. Of course, it might have improved as the series went on.
The second episode takes Adam and Georgina to Blackpool, at the height of the popularity of the Golden Mile, before holidaymakers started going on cheap package holidays to Spain. To give them credit, they really did go to Blackpool to film, with scenes along the Golden Mile and on the beach, as well as travelling on an open top tram. I was also delighted to see them walk past a stall selling Pablo's ice cream - we bought ice cream from that very stall, and it was delicious! In 1966, I would have been a small child playing on the beach at Blackpool, and I'm certain I saw the Illuminations that year, which play a large part in the plot - which actually doesn't make a lot of sense. The idea of hiding plans in a stick of Blackpool rock was a good one - but why did they need to when all the conspirators knew each other? And why had the man who stole the plans gone to London, apart from being a plot device to alert Georgina and Adam to the villainous scheme?
Once again, the main villain is a woman - I don't know if this continued as a theme - and once again Adam throws villains off high buildings to their deaths.
The episode also introduces William Sims, a Punch and Judy man who becomes Adam's servant. I can only assume that Adam's bank account had been quietly gathering interest over the 64 years he was frozen, because he seems to be independently wealthy with no visible means of support. By the second episode he has managed to buy a penthouse on top of a multi-storey car park (his original home having been knocked down ten years before) and he's learned to drive a Mini, with the number plate AA 1000. He also manages to pull the wool over the eyes of the man at the planning department of Blackpool Town Council while looking for information, so he's not helpless in the modern world, though he does suffer from flashbacks to the night he was betrayed and frozen every time he gets drugged or hit over the head, poor chap.
On the whole, I think the first two episodes have sated my desire to see the whole series, but I understand Big Finish had done some audio adventures which might be fun.
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